Revital Raviv
Soprano
Soprano Revital Raviv performs widely on Israeli concert stages, in music festivals and concert
series, joining forces with leading orchestras and ensembles such as the Jerusalem Camerata,
Barrocade Ensemble, The Tel Aviv Soloists, Israel Chamber Orchestra, Jerusalem Symphony Orchestra, Jerusalem Baroque Orchestra, and others. She appeared at the Israel Festival, Abu Gosh
Vocal Music Festival, Kfar Blum Chamber Music Festival and others.
A former member of the Israeli Opera Young Artist Program Revital started her career in early opera performing roles in world by Handel, Purcell, Blow, Monteverdi, Gluck, Pergolesi and Mozart. On the concert stage, Raviv sung solo parts in major works by Bach, Handel, Haydn,
Mozart, Vivaldi, Mendelssohn, Fauré, Mahler, and Poulenc with leading choirs in Israel. International collaborations include concerts with the Tourbillon Ensemble from the Czech
Republic, Musicians of the Globe; and the New London Consort from the UK, joining their world tours of Jonathan Miller’s acclaimed productions of L’Orfeo and Dido and Aeneas. She has also
collaborated with Duo Embouchure from Argentina and recorded Yiddish songs with the Lieder
Theatre for the CD accompanying Engel Lund’s Book of Folk Songs.
Revital has dedicated the past few years to chamber music and to creating new and exciting Recitals
in Baroque and Classical repertoire, Art songs, contemporary Israeli music, Israeli Art songs and Jazz. Joining her on stage are established artists from Israel and abroad.
Raviv’s passion for contemporary classical music has resulted in collaborations with Israeli composers such as Arye Levanon, Talia Amar, Hanna Ajishvili, Boaz Ben-Moshe, Shay Cohen, Yael German and Eyal Batt with whom she recorded the Album ‘You’ve hidden your soul from
me’. Alongside her singing career, Revital is a creator and artistic director of chamber concert series. She
is a graduate of the Jerusalem Academy of Music and Dance and the Royal College of Music
(RCM) in London

Photo by : Dana Friedlander.
